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From: Mike Hoffman <mhoffman@encore.com>
Date: Fri, 11 Dec 92 11:51:12 EST
Organization: Encore Computer Corporation
X-Mailer: Mail User's Shell (7.0.3 12/22/89)
To: jamesb@nevada.edu
Subject: TAB: Crazy on You (Intro) - Heart
James,
Here is my contribution to the archives. I have transcribed the acoustic
intro to crazy on you as it was taught to me; I understand that it appeared
a few years back in one of the guitar mags, but I have never seen it.
Thanks for doing a great job in maintaining the archives; I have grabbed many
of the selections stored there, and I hope that my small contribution will
repay in a small way for this fantastic resource.
MH++
_ _ __ ___ ___ __ __ _ _ _ Michael J. Hoffman
| |_| |/ .| =| =| V | / | | | Encore Computer Corporation
|_| |_|\__/|_| |_| |_|V|_|/_^_|_|\_| mhoffman@encore.com
"I am logged in, therefore I am."
---------8<---CUT HERE--->8----------
Here is the acoustic intro section to 'Crazy on You'. It is split into
several sections; this has the combined advantages of 1) helping to
break up the learning of it into smaller pieces, and 2) helping to
remember where you are, as there is some repetition and it is easy to
fall into a 'loop' :-)
I have added the symbol ^ under the tab to try to approximate the
downbeat; the rhythm is something along the lines of a shuffle. It
certainly helps to listen to the original when you try to learn this!
I have used the following symbols in the tablature:
/ Slide up
Slide down
p Pull off
h Hammer on
() The note is still ringing from the previous time it was struck
<> The note is a harmonic
^ Rhythm beat
CRAZY ON YOU (INTRO)
Heart
Section 1
E------------------------
B--------3-1 -----------
G----2/4---2 -0---------
D------------------------
A------------------------
E------------------------
^ ^
Section 2
E------------------------------------------------------------------------
B------------3p1p0---1-----------------------------------3p1p0---1-------
G------------------2---2-------0------4---5---0h2-(2)(2)-------2---2-----
D--------------------------2/4--------4---5---0h2-(2)(2)-----------------
A--------0-0---------0---0--------0-0---0----------0--0----------0---0---
E------------------------------------------------------------------------
^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
Section 3
rake
E------------------------------------------------------------------------
B------------------------------------------------0-----------------------
G------------0----2-----2--1---2/4---2---0h1--------2p0------------------
D--------2/4------2----2-------------------------0-----------------------
A--------------0--3---3----2---3/5---4---2(2)----------------------------
E----------------------------0-----0---0------0--3-----------------------
^ ^ ^ ^ ^ ^ ^ ^
Section 4 (Just like Section 2 except add 'A' on the first two notes)
E------------------------------------------------------------------------
B------------3p1p0---1-----------------------------------3p1p0---1-------
G--------2-2-------2---2-------0------4---5---0h2-(2)(2)-------2---2-----
D--------------------------2/4--------4---5---0h2-(2)(2)-----------------
A--------0-0---------0---0--------0-0---0----------0--0----------0---0---
E------------------------------------------------------------------------
^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
Section 5
<---See Note 1----> <Harm.>
E------------------------------------5-----------------------------------
B------------------------3-----5p3---3---0----<12>-----------------------
G------------0-----4-----4---4-----4-----0----<12>-----------------------
D--------2/4---------4-------------------0----<12>-----------------------
A--------------0-0-0---0---0---------0-----------------------------------
E------------------------------------------------------------------------
^ ^ ^ ^ ^ ^
Section 6 (Same as Section 2)
E------------------------------------------------------------------------
B------------3p1p0---1-----------------------------------3p1p0---1-------
G------------------2---2-------0------4---5---0h2-(2)(2)-------2---2-----
D--------------------------2/4--------4---5---0h2-(2)(2)-----------------
A--------0-0---------0---0--------0-0---0----------0--0----------0---0---
E------------------------------------------------------------------------
^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^
Section 7
E------------------------------------------------------------------------
B------------------------------------------------------------------------
G------------0-----------------------------------------------------------
D--------2/4-----0-----4-----2-------------------------------------------
A--------------0-----5-----3---------------------------------------------
E------------------5-----3-----------------------------------------------
^ ^ ^ ^
Section 8
<---See Note 2--->
E--------------------------0-------------------------------------0-------
B------3p1p0---1-------------3-1-0---------3p1p0---1-----------0---0-----
G------------2---2-----------------2-0-----------2---2---0h1-1---1---1---
D--------------------0---0-------------------------------------0---0-----
A--0-0---------0---0-----------------------------------------2-------2---
E----------------------3---------------2-2---------2---2---0-------------
^ ^ ^ ^ ^ Free Time-->
Section 9
E---------------------------------
B-----6---5h6p5p0---5-------------
G-----------------5---7-5-4-------
D-----0---------------------6-----
A---------------------------------
E-----------------------------0---
Note 1: Use the chord shown below. Your pinky belongs on the first string
at the 5th fret, but you should move it over to the second string
5th fret for the pull-off, then place it on the first string for
the chord that follows.
E---5-- pinky
B---3-- index
G---4-- ring
D---4-- middle
A---0--
E------
Mote 2: Use the chord shown below. Again, you'll need your pinky to pull off
from the third fret on the second string, but if your hand is in this
basic position it will make things easier.
E------
B---1-- index
G---2-- ring
D------
A------
E---2-- middle
---
_ _ __ ___ ___ __ __ _ _ _ Michael J. Hoffman
| |_| |/ .| =| =| V | / | | |
|_| |_|\__/|_| |_| |_|V|_|/_^_|_|\_| mhoffman@encore.com
|
