Date: Thu, 13 Dec 2001 19:37:54 -0500
From: Doug Wakeman <dwakeman@optonline.net>
Subject: j/jaguars/the_way_you_look_tonight.crd

"The Way You Look Tonight" by the Jaguars
Words by: Dorothy Fields 
Music by: Jerome Kern 
Universal-Polygram International Publishing (ASCAP) 
The Songwriters Guild (ASCAP)

This is my interpretation of the Jaguars version (the best recorded).  Its 
probably not exactly right. 

I use the bar chords, playing the Eb at the 6th fret, the Cm at the 3rd fret, 
the Ab at the 4th fret and the Bb7 at the 6th fret.  The bridge just moves the 
same progression up 3 frets. 

Intro
Cm               Ab       Bb7             
____________________________________       
__4___4___4___4____4___4____6___6___            
_5___5___5___5____5___5____7___7____            
5___5___5___5____6___6____6___6_____           
____________________________________            
____________________________________           

You can play this during the verses adding the Eb.
When you do this, each triplet gets two plays - 

Eb       Cm       Ab       Bb7          
_____________________________________
__8___8____4___4____4___4____6___6___      
_8___8____5___5____5___5____7___7____      
8___8____5___5____6___6____6___6_____     
_____________________________________      
_____________________________________      

or, just play the chords.  The same pattern repeats all through the song, 
cycling evenly, 1 chord per bar, with one exception, noted.  

(Verse 1)
Ed  Cm  Ab  Bb7         
Eb  Cm  Ab  Bb7 
Eb  Cm  Ab  Bb7    
(Turnaround)
Eb  Cm  Ab  Bb7  
            (oh you're)

(verse 2) 
Eb  Cm  Ab  Bb7           
Eb  Cm  Ab  Bb7
Eb  Cm  Ab  Bb7    
(Turnaround)
Eb  Ab          Eb                 Eb E F 
__________________________________(one strum per chord)
__________________8_8___8_8___8_8_
__________________8_8___8_8___8_8_
__________________8_8___8_8___8_8_
________________6_____6_____6_____
____4_4_4_4_3_1___________________


(Bridge - notice the Bbm in place of the expected Db7 (at the word, "nose"), and
the following 4 bars are different than the preceding pattern, the Bbm holding 
over a 2nd bar)   

F#  Ebm  B  Db7   
F#  Ebm  B  Db7  
F#  Ebm  B  Bbm    
Bbm Fm   F7 D7   

(Verse 3 - some differences from the pattern on the ending.  Work them out from
the record.)
Ed  Cm  Ab  Bb7         
Eb  Cm  Ab  Bb7 
Eb  Cm  Ab  Bb7    
Eb  Ab      Bb7 Eb  Cm   Ab  Bb7  Eb    
    (ohhhhh ummmmmmmmm)