Received: from mailgate.ericsson.se (mailgate.ericsson.se [130.100.2.2]) by post-office.nevada.edu (8.6.4/8.6.4) with SMTP id AAA20867 for <jamesb@nevada.edu>; Sun, 20 Feb 1994 00:06:56 -0800
Received: from etlxd20 (etlxd20.ericsson.se) by mailgate.ericsson.se (4.1/SMI-4.1-MAILGATE1.14)
	id AA10240; Sun, 20 Feb 94 09:06:52 +0100
Received: from printhost311 (printhost311.ericsson.se) by etlxd20 (4.1/SMI-4.1-LME1.6)
	id AA22083; Sun, 20 Feb 94 08:06:51 GMT
From: etlnbb@etlxd20.ericsson.se ( neil bergin xd/gk)
Received: by printhost311 (4.1/client-1.3)
	id AA14373; Sun, 20 Feb 94 08:06:50 GMT
Date: Sun, 20 Feb 94 08:06:50 GMT
Message-Id: <9402200806.AA14373@printhost311>
To: jamesb@nevada.edu
Subject: CHORDPRO: Ain't No Sunshine - Bill Withers

Posted by: barrett@donner.cs.utk.edu (Richard F Barrett)
Newsgroups: rec.music.makers.guitar.tablature
Date: 18 Jan 1994 19:24:51 GMT

{title: Ain't No Sunshine}
{st: Bill Withers}

{c: Basically Am and Em, picking the bass note then a strum for each:}
{c: pick, Am, pick, Em, pick 6th string with pinky on third fret, repeat.}
{c: I don't have this written in below. The chords listed are transitions}
{c: from this pattern.}

{c: Intro: Repeat the above pattern a couple of times, then during}
{c: verses, starting with the first Am listed below}
Ain't no sunshine when she's [Am]gone [Em]
Only darkness every [Am]day [Em]
Ain't no sunshine when she's [Dm]gone
And this house just ain't no [F]home,
[Am]Anytime she goes away.

Wonder this time where she's gone
Wonder if she's gone to stay
Ain't no sunshine when she's [Dm]gone
And this house just ain't no [F]home,
[Am]Anytime she goes away.

And I know I know I know [Gm]I [Am]know I know I know I know I [Gm]I [Am]know...{c: To add fill, every fourth "I know, pound on Gm and slide down two frets to A
m (same fingering) }
Baby you're leaving me far be[Dm]hind
There ain't sunshine when she's [Am]gone

{c: Repeat 1st verse}

{c: This sounds great on a electric, not so great on an acoustic. For}
{c: acoustic, I strum continuously between "picks", and for the "I know"}
{c: business I pound the strings holding down only the second string}
{c: of the first fret, then hammer down onto an Am.}